By the last quarter-century of his long, productive career, Pierre Bonnard (1867-1947) was deep into what might be called his Red-Yellow-Orange Period. These colors dominate “Pierre Bonnard: the Late Interiors,” a sumptuous exhibition that lends some unseasonable warmth to the Metropolitan Museum of Art, specifically to the tepid lower level of its Robert Lehman Collection
Fonte :New York Times By ROBERTA SMITH
Published: January 29, 2009
Published: January 29, 2009
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